New York, NY (PRWEB) April 22, 2013
This morning, New York City Mayor Michael R. Bloomberg; artist Ugo Rondinone; Tishman Speyer Chairman and Co-Chief Executive Officer Jerry Speyer; Director and Chief Curator of Public Art Fund Nicholas Baume; and President of Nespresso USA Frederic Levy opened New York Citys newest outdoor art exhibition, Ugo Rondinone: Human Nature. For seven weeks this spring, nine 16- to 20-foottall, human-shaped stone figures by the Swiss-born, New York-based artist Ugo Rondinone, will transform Rockefeller Center, inhabiting the plaza between 49th and 50th Streets as if transported from another time. The work, Human Nature, will be free to the public and is on view April 23 through June 7, 2013. Presented by Nespresso, the exhibition is organized by Public Art Fund and Tishman Speyer.
“Rockefeller Center plaza is one of the worlds most treasured public spaces, and one reason for that has been the Public Art Funds commitment, over the past several years, to present some of the worlds most exciting and memorable public art there,” said Mayor Michael R. Bloomberg. “This exciting exhibition is sure to provoke a lot of thoughtand enable New Yorkers and visitors to see a cherished landmark with new eyes, all thanks to the Public Art Fund.”
Human Nature is a stark contrast to its highly developed architectural surroundings in Midtown Manhattan. The irregular natural surfaces of the stone are left bare, while the human figureperhaps the original artistic subjectis represented as a simple yet imposing composition, defined by its towering legs, massive torso, and boulder-like head. Archaic and enduring forms, these colossal figures will invite visitors to wander amongst their legs and touch their roughhewn surfaces.
We are proud to continue our long-standing tradition of presenting public art at Rockefeller Center with Ugo Rondinones Human Nature, said Tishman Speyer Co-Chief Executive Officers Jerry Speyer and Rob Speyer. Rockefeller Center is New York Citys greatest public venue, a place where timeless architecture and art come together. The work of a brilliantly inventive artist like Ugo Rondinone will add perfectly to the Centers artistic identityparticularly as Human Nature was originally inspired by the very plaza where it will now stand.
Mythic in scale and imagery, visceral in character and impact, Human Nature reconnects the contemporary world with our most ancient origins, said Nicholas Baume, Public Art Fund Director & Chief Curator. Conceived directly for Rockefeller Center, this installation launches an important new body of work for Ugo; were delighted that it will debut on center stage at this iconic New York City location.
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The stone figure is the most archetypal representation of the human form; an elemental symbol of the human spirit, connected to the earth yet mythic in the imagination. The image of the figure belongs to nobody, is timeless, and universal, said artist Ugo Rondinone.
As a brand rooted in innovation and design, we are constantly seeking inspiration through art and culture from all over the world, said Frederic Levy, President, Nespresso USA. It is an honor to be the premier sponsor of Ugo Rondinones Human Nature at Rockefeller Center and to be part of an event that so beautifully celebrates artistic expression and shares in our passion to inspire and be inspired.
The figures populate the plaza where the famous Rockefeller Center Christmas Tree is displayed each December, the massive forms of their legs and shoulders forming post-and-lintel structures beneath and among which visitors are able to walk.
To create these nine unique figures, the artist quarried massive bluestone slabs, leaving their surfaces as they were found: heavy and coarse, scored by quartz veins, and marked by wind, weather, and erosion. The stones were then rough-cut into blocks and stacked on top of each other to resemble the most recognizable features of the human form.
For more than 20 years, Rondinone has produced a strikingly diverse body of work that includes trance-inducing mandala paintings, figurative sculptures, large-scale landscape drawings, and immersive multi-channel video installations. In recent years, he has increasingly turned his attention to public projects. His rainbow neon sign sculpture, Hell, Yes!, adorned the fa